Flip Screen

Flip Screen is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer® when written by the following Tomatometer-approved critic(s): Emily Maskell, Shaun Alexander
Rating Title/Year Author
3/5 Evge (2019) Emily Maskell The observant lens navigates a gradual conflation of bereftness, a coming together of father and son that is forced by a shared and deeply felt experience of mourning EDIT
Posted Apr 23, 2021
Sequin in a Blue Room (2019) Emily Maskell Leach's performance as the casually playful and assuredly confident Sequin is exquisite EDIT
Posted Apr 9, 2021
Mayday (2021) Emily Maskell Abiding by its own cinematic rules, Cinorre's Mayday is a tonally adventurous genre-blending women-focused debut EDIT
Posted Feb 9, 2021
Rebel Hearts (2021) Emily Maskell The brilliant documentary is a colourful, contemplative and informative presentation of women whose dedicated faith led them to activism. EDIT
Posted Feb 6, 2021
Cocoon (2020) Emily Maskell Krippendorff crafts a stunningly alluring narrative of feminine intimacy EDIT
Posted Dec 12, 2020
3.5/5 Vita & Virginia (2018) Shaun Alexander "where Vita & Virginia excels; we are shown both the moments together and apart and left to judge for ourselves, where was their real passion: in their work and letters, or in their relationship?" EDIT
Posted Nov 27, 2020
2/5 The Nightingale (2018) Shaun Alexander "An unflinchingly violent film that is not able to tackle its politics about gender, race and violence in a nuanced way. Brutal from beginning to end but never left satisfyingly avenged." EDIT
Posted Nov 27, 2020
5/5 Booksmart (2019) Shaun Alexander "With such a fully formed debut, it's hard not to fall in love with Booksmart. It offers laughs, tears and heart by the bucket-load" EDIT
Posted Nov 27, 2020
4/5 Honey Boy (2019) Shaun Alexander "Offering something incredibly heartfelt and introspective, Honey Boy is special in nearly every regards" EDIT
Posted Nov 27, 2020
4/5 Little Monsters (2019) Shaun Alexander "Moments of sincerity that push this above other horror comedies" EDIT
Posted Nov 27, 2020
4/5 Uncut Gems (2019) Shaun Alexander "Feels like a constant adrenaline shot to the system" EDIT
Posted Nov 27, 2020
5/5 A Beautiful Day in the Neighborhood (2019) Shaun Alexander "It has been crafted into something unique between being moving and heartbreaking" EDIT
Posted Nov 27, 2020
4/5 Star Wars: The Rise of Skywalker (2019) Shaun Alexander "Far from perfect but offers enough action and heart to satisfy the majority of moviegoers." EDIT
Posted Nov 27, 2020
If It Were Love (2020) Emily Maskell The value of human touch is a craving more visceral, having been deprived of it. Both Crowd and, subsequently, If It Were Love are wonderfully bold in their approaches to the nuance of vulnerable human connection. EDIT
Posted Oct 29, 2020
Ammonite (2020) Emily Maskell Lingering and irrevocably alluring, Ammonite is a spectacular excavation of Mary Anning's forgotten life EDIT
Posted Oct 25, 2020
Supernova (2020) Emily Maskell Supernova is a tender, devastatingly gorgeous road trip, brooding with introspection EDIT
Posted Oct 19, 2020
Farewell Amor (2020) Emily Maskell a beautiful character study of the innate necessity and craving for belonging EDIT
Posted Oct 13, 2020
My Fiona (2020) Emily Maskell The growing closeness between Gemma and Jane is framed sensitively, their shared love for Fiona entraps them in each-other's orbit. EDIT
Posted Apr 2, 2020
The Staggering Girl (2019) Emily Maskell In this intersection of fashion and film, classic and timeless style is abound EDIT
Posted Feb 15, 2020
Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) (2020) Emily Maskell This refreshingly feisty script from Hodon leaves you forgetting that The Joker was ever in the picture. EDIT
Posted Feb 5, 2020
Won't You Be My Neighbor? (2018) Emily Maskell Almost as if in these times of uncertainty and constant worry, we need a figure to trust in. EDIT
Posted Feb 1, 2020
Tell It to the Bees (2018) Emily Maskell Tell It To The Bees is buzzing with desire and dances to the tune of humming bees EDIT
Posted Nov 20, 2019
Celebration (2007) Emily Maskell The Last Collections feels as though it plucks a loose thread and the documentary itself becomes untied EDIT
Posted Oct 25, 2019
Circus of Books (2019) Emily Maskell Crucially, Circus of Books remains honest to the intentions of the Mason family. EDIT
Posted Oct 23, 2019
Matthias & Maxime (2019) Emily Maskell Life-long companions, they are magnets repeatedly being drawn back together; no matter how hard they try to fight it, it is almost impossible to resist. EDIT
Posted Oct 18, 2019
Our Ladies (2020) Emily Maskell With matching tartan skirts and knee-high grey socks, Our Ladies walks hand in hand with the small-town girl hitting the big city EDIT
Posted Oct 9, 2019
Hail Satan? (2019) Emily Maskell Hail Satan? is a wonderful example of a documentary that makes the effort to challenge the preconceived notions of what is expected, an enjoyable film that holds time for both laughter and contemplation. EDIT
Posted Oct 7, 2019
Life in the Doghouse (2018) Emily Maskell Touching and heartwarming, this is a sincere film that is one of the gems in Netflix's catalogue. EDIT
Posted Oct 7, 2019
Bull (2019) Emily Maskell Perhaps not as memorable as some alternative films that offer a similar presentation of the modern western, Bull finds itself viewing this world through a unique perspective. EDIT
Posted Oct 7, 2019
Apollo 11 (2019) Emily Maskell Apollo 11 manages to be an outstandingly rare film about space travel that invests in real heart-stopping tension. EDIT
Posted Oct 7, 2019
Kingdom of Us (2017) Emily Maskell The film is an extraordinary insight into a family coming to terms with suicide, a topic that, understandably, opens up difficult but necessary conversations. EDIT
Posted Oct 7, 2019
As Slow as Possible (2008) Emily Maskell Tackling the idea of young people forging their own way in life, As Happy As Possible is a lovely indie film that embarks on a tale of friendship, and the journey of pondering the future. EDIT
Posted Oct 7, 2019
Tucked (2018) Emily Maskell Tucked nestles itself within the category of LGBTQ+ cinema as an overall optimistic film. Endearing humour is an essential element that prevents the film falling into a thematically dark space. EDIT
Posted Oct 7, 2019
United We Fan (2018) Emily Maskell United We Fan is heartfelt in how it allows interviewees to be vulnerable on camera and share their personal experience of how their fandoms have changed their lives. EDIT
Posted Oct 7, 2019
Iris (2014) Emily Maskell Iris is a wonderful reflection on the legacy of an individual who has lived an exceptional life. EDIT
Posted Oct 7, 2019
Varda by Agnès (2019) Emily Maskell A beautiful tribute to a remarkable woman EDIT
Posted Aug 10, 2019
Wild (2018) Emily Maskell Lying bare, exposing all, Leo's world is introduced in an abrupt manner which comes to define the matter-of-fact nature of this film EDIT
Posted Aug 9, 2019
And Then We Danced (2019) Emily Maskell [Levan] Gelbakhiani and [Bachi] Valishvili share palpable chemistry that ensures the raw affection of their characters' magnetic connection to be at the heart of this film. EDIT
Posted Aug 9, 2019