Trespass

Tomatometer-approved publication
Rating Title/Year Author
Captain Marvel (2019) Alex Doenau It is unfortunate that Danvers can fly effortlessly and Samuel L. Jackson can almost recapture his younger self, but the movie cannot stretch itself to make computer-generated cables and flying cats seem natural. EDIT
Posted Mar 8, 2019
If Beale Street Could Talk (2018) Alex Doenau If Beale Street Could Talk is an evergreen movie that focuses not solely on the injustice that its characters face, but on the love that suffuses them. EDIT
Posted Feb 21, 2019
Happy Death Day 2U (2019) Alex Doenau Happy Death Day 2 U is the Super Mario Bros. 2 of movie sequels: it has many of the same elements, while adapting and changing enough to make a separate but still enjoyable experience. EDIT
Posted Feb 21, 2019
The Hate U Give (2018) Alex Doenau The Hate U Give may never stop being relative, or it may one day be a quaint reminder of systematic injustice. Regardless of what the future holds, The Hate U Give stands for something worth considering. EDIT
Posted Feb 1, 2019
Aquaman (2018) Alex Doenau With charismatic leads and some sublime visuals that overpower the ridiculous, Aquaman is DC's second good movie and first real statement piece since 2013. EDIT
Posted Dec 26, 2018
Bumblebee (2018) Alex Doenau Though his hand on the musical cues is heavy, Knight's touch is light on the film as a whole, and Bumblebee breathes. EDIT
Posted Dec 20, 2018
Spider-Man: Into the Spider-Verse (2018) Alex Doenau Showing a flawless understanding of the comic-book aesthetic and storytelling without sacrificing its cinematic qualities, Into the Spider-Verse is a deeply satisfying film for comic fans that has more than enough to offer everyone else. EDIT
Posted Dec 12, 2018
Can You Ever Forgive Me? (2018) Alex Doenau McCarthy is a powerhouse who isn't afraid to teeter between being deeply sympathetic and completely repellent. It's a performance that brings out the essential ambivalence that Israel, as written, feels about herself. EDIT
Posted Dec 5, 2018
Errors of the Human Body (2012) Sarah Ward As smart as it is suspenseful and as contemplative as it is creepily effective, the feature swarms with the potential of its competent helmer and commanding lead actor, even as it drifts towards an intriguing conclusion. EDIT
Posted Dec 4, 2018
Compliance (2012) Sarah Ward The challenging but compelling feature is at all times exasperating and thought-provoking. EDIT
Posted Dec 4, 2018
The Wolf Children Ame and Yuki (2012) Sarah Ward With a bittersweet atmosphere and beautiful imagery - both of the detailed and delicate variety - Wolf Children proves a finessed, fantastical offering grounded in human emotion and experience. EDIT
Posted Dec 4, 2018
Antiviral (2012) Sarah Ward As a writer and director, Brandon utilises the familiar themes and aesthetics with ambition and assurance, making body horror his own grotesque but galvanising cinematic playground. EDIT
Posted Dec 4, 2018
Grabbers (2012) Sarah Ward The ingenuity of the film's method of dispersing with the freakish interlopers may be its strength amidst evident simplifications and a predictable storyline, yet the antics are amusing and entertaining. EDIT
Posted Dec 4, 2018
The History of Future Folk (2012) Sarah Ward Though competently performed and brimming with enthusiasm, the sweet but slight fable-based film that results is heavily reliant upon its idea and less cognisant of its wavering cinematic execution, however it does provide moments of heartfelt comedy. EDIT
Posted Dec 4, 2018
Lean on Pete (2017) Alex Doenau This is realism almost too gritty to take, but with just enough light mixed in so that we keep looking to the horizon. EDIT
Posted Nov 29, 2018
Love at Least (2018) Alex Doenau A drama with many low points, but it allows room for hope. With a well-realised central performance that brings its lead a rare dimensionality, Love at Least is a relationship drama that makes the outlandish credible. EDIT
Posted Nov 26, 2018
River's Edge (2018) Alex Doenau A two-hour drudgery that solves a mystery whose answer was never pressing with the silliest possible solution. There's a wide chasm between realism and misanthropy, and River's Edge falls on the wrong side of that gap. EDIT
Posted Nov 20, 2018
One Cut of the Dead (Kamera o tomeru na!) (2017) Alex Doenau If you want something fun and slightly cerebral to chew on while your own brains are being chewed on, One Cut of the Dead is the intelligent zombie movie you need. EDIT
Posted Nov 16, 2018
The Old Man & the Gun (2018) Alex Doenau Redford has said that he wanted to go out on a fun note, and that is an accurate description of this movie. EDIT
Posted Nov 16, 2018
Fantastic Beasts: The Crimes of Grindelwald (2018) Alex Doenau A strangely charmless and excessively dingy film. Too long and static for anyone but the most die hard, with neither a richness of tone nor colour, this is a film guaranteed to sell tickets at the cost of its own soul. EDIT
Posted Nov 14, 2018
The Girl in the Spider's Web (2018) Alex Doenau The Girl in the Spider's Web is a frozen techno-thriller that makes sense of all of the movies that were never made before it. EDIT
Posted Nov 9, 2018
A Star Is Born (2018) Alex Doenau A drama with credible songs in it that elevates an outré personality into a legitimate actress, a vanity project with none of the vanity. EDIT
Posted Oct 19, 2018
Bad Times at the El Royale (2018) Alex Doenau An imperfect movie, and one impossible to pigeonhole, but it offers more delights than many bigger films. EDIT
Posted Oct 15, 2018
A Simple Favor (2018) Alex Doenau Paul Feig saw the base elements of the mess that was A Simple Favour's original form and reassembled them into a stylish semi-thriller that places a high priority on entertainment, be it mild mystery and intrigue or intentional humour. EDIT
Posted Sep 17, 2018
Crazy Rich Asians (2018) Alex Doenau You can celebrate Crazy Rich Asians for many reasons, and all of them are valid - it's an unambiguously well made and well intentioned movie that does not lead the viewer into hell. EDIT
Posted Sep 4, 2018
On Chesil Beach (2017) Alex Doenau On Chesil Beach balances idyllic pastoral scenes with the screaming awkwardness of a honeymoon, but when it catches up with itself it can't quite keep up. EDIT
Posted Aug 13, 2018
The Spy Who Dumped Me (2018) Alex Doenau With only one and a half gadgets on display, there's at least one itch that it doesn't scratch, but McKinnon is so well utilised here that The Spy Who Dumped Me is more worth seeing than its 41-year-old reference gag title would suggest. EDIT
Posted Aug 13, 2018
Mission: Impossible -- Fallout (2018) Alex Doenau Outside of his ambitious sci-fi movies, Cruise knows his Mission: Impossible. 22 years and six films in, he has perfected the art of convoluted international intrigue mixed with over-the-top stunts that he performs himself. EDIT
Posted Aug 3, 2018
The Equalizer 2 (2018) Alex Doenau Washington brings nuance to an otherwise black-and-white scenario, which elevates The Equalizer 2 above so many other "nice guy/secret killer" films. EDIT
Posted Jul 20, 2018
Mamma Mia! Here We Go Again (2018) Alex Doenau There is a pain threshold that you must have to survive a movie of this calibre; if you believe you have the endurance, take on Mamma Mia! Here We Go Again - at the very least, it is never not fascinating. EDIT
Posted Jul 19, 2018
Ant-Man and The Wasp (2018) Alex Doenau Ant-Man and the Wasp is fun on a bite-sized scale, and it is everything that it wants to be. EDIT
Posted Jul 6, 2018
Upgrade (2018) Alex Doenau Upgrade is pulp, but if we've learned anything from the last 30 years, it's that pulp can be good for you - they keep it in orange juice for a reason. EDIT
Posted Jun 12, 2018
Disobedience (2017) Alex Doenau Weisz and McAdams are reliable as ever, and their interplay is almost electric enough to bring colour to the screen. Together they plumb unwritten depths to discover a mutual strength that prevents Disobedience from being completely depressing. EDIT
Posted Jun 12, 2018
The Miseducation of Cameron Post (2018) Alex Doenau Those that need it will never watch it, and those that watch it will most likely already agree with its thesis - but this is quality filmmaking regardless. EDIT
Posted Jun 12, 2018
Ocean's 8 (2018) Alex Doenau Movies are supposed to contain event, and you'll be hard pressed to find any of that in the 110 minutes of Ocean's 8. EDIT
Posted Jun 11, 2018
Tully (2018) Alex Doenau While this isn't a particularly cheery movie for an alleged comedy, it's a finely tuned work that provokes without tipping itself over the edge. EDIT
Posted May 16, 2018
Deadpool 2 (2018) Alex Doenau Deadpool 2 is everything that it is supposed to rail against: a generic comic book movie that is only a step above the lesser entries in the Marvel/Fox continuum. EDIT
Posted May 16, 2018
Unsane (2018) Alex Doenau Unsane is not much more than potentially dangerous boilerplate designed to make people fear the mental health profession. EDIT
Posted May 3, 2018
Avengers: Infinity War (2018) Alex Doenau There's a lot to meditate on in this breathlessly told comic book adventure film. EDIT
Posted Apr 26, 2018
The Guernsey Literary and Potato Peel Pie Society (2018) Alex Doenau This is a sweet, well-shot and well-acted piece drawn from a thoughtful script. EDIT
Posted Apr 24, 2018
Super Troopers 2 (2018) Alex Doenau For fans of the original, Super Troopers 2 has enough of that Broken Lizard flavour that they've been craving for almost two decades. EDIT
Posted Apr 24, 2018
Isle of Dogs (2018) Alex Doenau You may not quite be able to put a finger on what you're watching, but Isle of Dogs is a hand-crafted adventure through garbage, fire, and bureaucracy. Certainly it has an all-star cast, but more importantly it has a Dog Star heart. EDIT
Posted Apr 12, 2018
Ready Player One (2018) Alex Doenau There is nothing to recommend the film itself, which may as well have been assembled by the soulless corporate drones that it purports to hold in such contempt. EDIT
Posted Apr 5, 2018
Annihilation (2018) Alex Doenau Annihilation is science fiction that is unashamed to be weird and disturbing. There's a market for that, though it may not be a mass one. EDIT
Posted Mar 16, 2018
Tomb Raider (2018) Alex Doenau Tomb Raider is an action adventure movie that is almost okay, but it runs out of steam long before it gets to the time to raid tombs. EDIT
Posted Mar 15, 2018
Initiation Love (2015) Alex Doenau Initiation Love is one third of a good movie, let down by 80 minutes of consistent frustration and inconsistent meeting of audience expectations. EDIT
Posted Mar 8, 2018
Misono Universe (2015) Alex Doenau La La La at Rock Bottom evaporates like so many lost memories. It's not an unpleasant film, but it's missing key elements that would have provided both narrative satisfaction and cohesive characterisation. EDIT
Posted Mar 8, 2018
Lady Bird (2017) Alex Doenau Lady Bird is a teen movie written by someone who remembers what it was like to be a teen, and one that understands that a character can be difficult without being irredeemable. EDIT
Posted Feb 23, 2018
Black Panther (2018) Alex Doenau Black Panther gives you everything that you want from a Marvel movie, but it goes just that little bit further to sink its claws in and reward its unsuspecting audience. EDIT
Posted Feb 21, 2018
Sweet Country (2017) Alex Doenau Sweet Country is a landmark work of Australian cinema, even if it lacks commerciality: what it does offer is the diamond hardness of certainty. Few films are as sincere as this one. EDIT
Posted Feb 1, 2018