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We Live Entertainment

We Live Entertainment is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer® when written by the following Tomatometer-approved critic(s): Aaron Neuwirth, Abe Friedtanzer, Adriana Gomez-Weston, Alan French, Ashley Menzel, Audrey Fox, Catherine Springer, Fred Topel, JimmyO, Karen M. Peterson, Kit Bowen, Kristen Lopez, Sarah Musnicky, Scott Menzel, Zoë Rose Bryant.

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Rating Title | Year Author Quote
7/10
Pizza Movie (2026) Aaron Neuwirth I laughed a lot throughout this film because of the sensibilities of all involved. Removing an inner logic shared by every scene in the film gives you a range of comedic material to work with, and it’s all grounded in what the leads are giving.
Posted Apr 09, 2026  Edit critic review
4/10
Outcome (2026) Aaron Neuwirth Reeves is clearly game to lean into what the story is calling for, but it was simply hard to actually believe in him suddenly becoming a manic mad man trying to retain his reputation.
Posted Apr 09, 2026  Edit critic review
7/10
Exit 8 (2025) Aaron Neuwirth As it stands, there’s a lot here that aligns with what I want in original features, especially those from a smaller system rather than a mainstream IP.
Posted Apr 09, 2026  Edit critic review
7/10
Faces of Death (2026) Aaron Neuwirth Not only does it manage to pull off what it’s aiming for, but the film serves as a much better example of a Scream-type movie than the actual recent entry in that franchise.
Posted Apr 09, 2026  Edit critic review
6/10
You, Me & Tuscany (2026) Aaron Neuwirth Given that romantic comedies are an endangered species in theaters, the mild pleasure found here does enough.
Posted Apr 09, 2026  Edit critic review
5/10
Pretty Lethal (2026) Aaron Neuwirth Not for nothing, but it’s great to see that a schlocky genre film like this is happy to include a talented actress like Simmonds, who may be deaf, but is happy to go along with this sort of nonsense, presumably because it sounded like a fun challenge.
Posted Apr 09, 2026  Edit critic review
6/10
Fantasy Life (2025) Aaron Neuwirth It’s Peet who delivers what’s required here, be it her comedic instincts or interactions with any number of supporting players.
Posted Apr 09, 2026  Edit critic review
6/10
Mermaid (2025) Aaron Neuwirth Even with the surreal nature of it all, the genre-bending story made for an interesting way to take in the broad notion of what gives rise to the infamous "Florida Man."
Posted Apr 09, 2026  Edit critic review
6/10
Miroirs No. 3 (2025) Aaron Neuwirth I couldn’t help but feel a bit at arm’s length this time around. Not unworth checking out for the film’s positive qualities, but just a bit lower on the Petzold scale.
Posted Apr 09, 2026  Edit critic review
7/10
Forbidden Fruits (2026) Aaron Neuwirth I did appreciate how well this film sticks the landing by committing to a certain tone. Yes, some gorier elements occur quite rapidly, but they only add to the way the film’s pitch naturally develops over time.
Posted Apr 09, 2026  Edit critic review
The Super Mario Galaxy Movie (2026) Aaron Neuwirth Despite ultimately moving in the right direction, the continued choice to play things so incredibly safe renders a universe full of imagination as one featuring stories and characters that still never rise above a bland level.
Posted Apr 09, 2026  Edit critic review
The Christophers (2025) Aaron Neuwirth Adding a bit of a caper element and commentary on art culture only increases the value, making this a piece worth checking out.
Posted Apr 09, 2026  Edit critic review
7/10
Heel (The Good Boy) (2025) Aaron Neuwirth There’s strong work going into this film, which is a great way to balance the oddity of what’s taking place here. Graham shows just how amazing he is as a performer, letting his character’s vulnerabilities lead him to both drastic and heartfelt actions.
Posted Apr 01, 2026  Edit critic review
6/10
Home Delivery (2025) Aaron Neuwirth Some of this certainly falls into old tropes. Still, when there’s fun to be had with all the different interactions and the ticking clock that is the eventual birth, it’s easy just to roll along with the intended fun being generated by all involved.
Posted Apr 01, 2026  Edit critic review
7/10
Mike & Nick & Nick & Alice (2026) Aaron Neuwirth Along with having a clever premise that pays off in terms of the comedic elements as well as the sci-fi ones when it comes to appreciating the effort that goes into delivering a solid time travel story, I have to say – this movie looks great.
Posted Apr 01, 2026  Edit critic review
6/10
Ready or Not 2: Here I Come (2026) Aaron Neuwirth I enjoyed the 2019 original fine, but this feels like an improvement from directors Matt Bettinelli-Opin and Tyler Gillett for a few reasons. The kills are more creative, and the leaning on the explosion of bodies never fails to delight.
Posted Apr 01, 2026  Edit critic review
6/10
They Will Kill You (2026) Aaron Neuwirth It’s essentially a game of cat & mouse with a supernatural twist. Much of it thrives on Beetz’s great work in the lead role, along with the heavy dose of style the film affords.
Posted Apr 01, 2026  Edit critic review
The Drama (2026) Aaron Neuwirth Handling the nature of what’s being discussed in such a darkly comedic way is key. Because of the writing and directorial choices, there’s plenty to latch onto in terms of this film’s take on entertainment value.
Posted Apr 01, 2026  Edit critic review
8/10
They Will Kill You (2026) Scott Menzel They Will Kill You absolutely rules. It’s a bloody blast from start to finish and the kind of movie that knows exactly what it is and fully commits to it.
Posted Mar 24, 2026  Edit critic review
8/10
Power Ballad (2026) Scott Menzel Power Ballad is a genuine crowd pleaser with real emotion, heart and a phenomenal soundtrack. John Carney has done it again!
Posted Mar 16, 2026  Edit critic review
7/10
Cold Storage (2026) Aaron Neuwirth Given the bleakness found in HBO’s The Last of Us, it’s refreshing to see a film like this that has far more fun with parasitic fungus.
Posted Mar 14, 2026  Edit critic review
7/10
Youngblood (2025) Aaron Neuwirth As a sports film, the plot follows a familiar trajectory, but it is the added shading that allows this movie to work better than it would otherwise.
Posted Mar 14, 2026  Edit critic review
8/10
Redux Redux (2025) Aaron Neuwirth All of this adds up to a film that is subtly cleverer than it may seem, while also delivering on the thrills of its premise in a very satisfying way.
Posted Mar 14, 2026  Edit critic review
7/10
War Machine (2026) Aaron Neuwirth As a pretty efficient action film that feels like a throwback with modern effects (the heavier-than-expected jingoism reinforces this sentiment), War Machine is the best film on Netflix with that title.
Posted Mar 14, 2026  Edit critic review
5/10
Slanted (2025) Aaron Neuwirth There’s no doubt that the material- and situation-based stories worth looking into in greater depth are the ones I wish this film had explored more effectively.
Posted Mar 14, 2026  Edit critic review
5/10
Reminders of Him (2026) Aaron Neuwirth It’s not a matter of trying to pull this apart; I just wish the results (particularly the writing) were stronger. As it stands, I won’t need too many reminders of this one.
Posted Mar 14, 2026  Edit critic review
4/10
undertone (2025) Aaron Neuwirth While interesting as an exercise in the dependency on audio design, I wanted more.
Posted Mar 14, 2026  Edit critic review
Project Hail Mary (2026) Aaron Neuwirth Project Hail Mary has plenty of movie to offer for audiences, and the only rocky thing about it would be to not take advantage of seeing such a film on the big screen.
Posted Mar 10, 2026  Edit critic review
8/10
Nirvanna the Band the Show the Movie (2025) Aaron Neuwirth This movie plays like a magic trick, getting you caught up in the low-budget spectacle, only to have you care about the absurd plot unfolding and want these characters to pull off the objective they’re aiming for.
Posted Mar 06, 2026  Edit critic review
7/10
For Worse (2025) Aaron Neuwirth The ultimate joy of seeing how things would play out made for an indie comedy with just enough turns to complement its confident filmmaking.
Posted Mar 06, 2026  Edit critic review
6/10
Undercard (2025) Aaron Neuwirth Sykes is clearly passionate about many things in her life, and seeing her take the opportunity to channel that into a dramatic performance rather than more stand-up material was bound to pay off. Unsurprisingly, it did.
Posted Mar 06, 2026  Edit critic review
5/10
Dolly (2025) Aaron Neuwirth Does this add up to much? Not really, but there’s a clear appreciation for the genre that could grow into something strong in the future.
Posted Mar 06, 2026  Edit critic review
8/10
Blades of the Guardians (2026) Aaron Neuwirth Yuen Woo-Ping has been a martial arts choreographer for decades. Yet, here he is sitting with folks like George Miller and Ridley Scott, acting like they’re all much younger men, and delivering truly thrilling entertainment like no one’s business.
Posted Mar 06, 2026  Edit critic review
7/10
Pegasus 3 (2026) Aaron Neuwirth Director Han Han does a fine job of assembling tons of footage that lets us feel the dangers and peril of this kind of racing. Even the CG elements are mostly well-handled, keeping the audience from being drawn away from the excitement.
Posted Mar 06, 2026  Edit critic review
7/10
Hoppers (2026) Aaron Neuwirth Seeing Hoppers work as well as it does makes me at least happy to know Pixar can still nail what’s intended when it comes to being a visually interesting laugh machine that happens to have its heart in the right place.
Posted Mar 06, 2026  Edit critic review
THE BRIDE! (2026) Aaron Neuwirth Here’s a film daring audiences to join in on seeing the fun of a couple of monsters letting their freak flag fly.
Posted Mar 04, 2026  Edit critic review
Scream 7 (2026) Aaron Neuwirth Sure, taking a stab in a different direction can work when you’re this far into a series, but it doesn’t make up for a script that hardly feels all that fleshed out.
Posted Feb 26, 2026  Edit critic review
Psycho Killer (2026) Aaron Neuwirth Combined with direction that feels unsure of how to squash what feels like three different movies together, the results allow for a stylish and brutal horror film, but one that doesn't quite come together as effectively or cleverly as one would like.
Posted Feb 19, 2026  Edit critic review
How to Make a Killing (2026) Aaron Neuwirth This is a good use of Powell, which does a better job of relying on his inherent charisma and what kinds of things can send him off balance, compared to The Running Man, which tried to convince us he was the angriest man in America.
Posted Feb 18, 2026  Edit critic review
Wasteman (2025) Aaron Neuwirth It’s brutal in its depiction of the life inside, yet the performances turned in by leads David Jonsson and Tom Blyth make it all the more effective, as we watch what plays out.
Posted Feb 15, 2026  Edit critic review
Crime 101 (2026) Aaron Neuwirth The real standout performance is Halle Berry, who once again shows just how valuable she can be when put in the right position to deliver.
Posted Feb 11, 2026  Edit critic review
Saipan (2025) Aaron Neuwirth As a curious bit of history for someone not all that familiar, Saipan was quite an effective portrayal of the costs of seeing a war between men.
Posted Feb 10, 2026  Edit critic review
7/10
The Rip (2026) Aaron Neuwirth Sure, the resolution is pretty standard, but this brings out some of the best of what Carnahan has proved to be able to deliver when he’s working in serious mode.
Posted Feb 09, 2026  Edit critic review
4/10
Grizzly Night (2026) Aaron Neuwirth The messaging is at least reasonably clear, even if tragedies are seen on both sides, given what happened to grizzly bears following this event. I just wish the film were a bit more polished.
Posted Feb 09, 2026  Edit critic review
6/10
Moses the Black (2026) Aaron Neuwirth I liked how this urban drama tried to incorporate the story of this gang leader from biblical times. It’s a bold move that only has so much budget-wise to pull off.
Posted Feb 09, 2026  Edit critic review
6/10
The Wrecking Crew (2026) Aaron Neuwirth There is far too much chaos on normal streets and freeways not to consider the collateral damage at play, and yet the film’s tone is very much in line with an ’80s brand of action movie, despite being shot like a modern film.
Posted Feb 09, 2026  Edit critic review
6/10
Solo Mio (2026) Aaron Neuwirth The film never strays far from being sweet on its own terms, and it’s a breezy watch for those looking for an old-fashioned rom-com rooted in familiar story beats.
Posted Feb 09, 2026  Edit critic review
5/10
Dracula (2025) Aaron Neuwirth Outside of a couple of inspired sequences and a fun performance from Christoph Waltz as Van Helsing, those wanting a blood-soaked horror film or a more modern, knowing take on the material will be left disappointed.
Posted Feb 09, 2026  Edit critic review
Wuthering Heights (2026) Aaron Neuwirth For whatever inherent issues that may present for purists, it doesn’t diminish how much of a visual feast this film is, combining gorgeous cinematography and art design with deeply emotional performances.
Posted Feb 09, 2026  Edit critic review
3/5
Tow (2025) Aaron Neuwirth Tow may feel a bit too standard as the sort of human story that it is trying to tell, but one still can’t help but see the triumph that comes from Byrne giving her all.
Posted Feb 07, 2026  Edit critic review
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