Flavorwire

Flavorwire is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer when written by the following Tomatometer-approved critic(s): Alison Herman, Alissa Wilkinson, Jason Bailey, Judy Berman, Lara Zarum, LaToya Ferguson, Pilot Viruet
Rating Title/Year Author
Booksmart (2019) Jason Bailey They're colorful and funny, and believably written and played (these characters are types for a reason). Most importantly, the writers complicate the types, giving them unexpected complexities and sympathetic elements. EDIT
Posted May 27, 2019
() Jason Bailey Williams eventually pulls his strands together, with an effective and moving juxtaposition of words, images, and history in the closing moments. EDIT
Posted May 8, 2019
Pet Sematary (2019) Jason Bailey King's simple and elegant premise has been transformed into secondhand claptrap. EDIT
Posted May 8, 2019
It Started as a Joke (2019) Jason Bailey It's a warm and inviting bio-doc of Mirman, one of the funniest and most delightful people in comedy EDIT
Posted Apr 29, 2019
Us (2019) Jason Bailey In scene after scene he creates a mood of offhand, everyday spookiness, and then turns the screw with genuinely disturbing imagery. EDIT
Posted Mar 10, 2019
Late Night (2019) Jason Bailey It may be a longer and more sincere '30 Rock,' but there's heady stuff about "diversity hires" and workplace inequality ; Kaling knows how to address these issues without turning the movie into a polemic. EDIT
Posted Feb 7, 2019
Roma (2018) Jason Bailey What's become abundantly clear, over the course of this extraordinary run of searing films, is the degree to which Cuarón roots dramatic power in empathy and humanity. EDIT
Posted Dec 3, 2018
The Ballad of Buster Scruggs (2018) Jason Bailey The anthology format gives the Coens room to tinker with new tones and forms, while delivering their unique blend of comedy and dread. EDIT
Posted Dec 3, 2018
Bathtubs Over Broadway (2018) Jason Bailey It's about how these peculiar interests can become our obsessions, and the way that ironic detachment can develop, surprisingly enough, into genuine affection. What a delightful movie this is. EDIT
Posted Dec 1, 2018
Suspiria (2018) Jason Bailey Suspiria is a movie you can't take you eyes off of, even when it doesn't make a damn lick of sense. EDIT
Posted Oct 30, 2018
The Front Runner (2018) Jason Bailey The Front Runner, Jason Reitman's dramatization of the three-week rise and fall of Gary Hart's 1988 presidential campaign, works best in its first half, as fleet-footed, wisecracking campaign/newsroom comedy/drama. EDIT
Posted Sep 14, 2018
Can You Ever Forgive Me? (2018) Jason Bailey It's a wicked, witty treat, with Melissa McCarthy playing Israel as an unapologetically unlikable protagonist, and batting around some truly delicious dialogue with Richard E. Grant, as pretty much her only friend. EDIT
Posted Sep 14, 2018
Boy Erased (2018) Jason Bailey Edgerton's central visual metaphor is a middlebrow clunker, and the look of his movie too often confuses darkness with depth. But he's got a good eye for details -and a sure hand with actors. EDIT
Posted Sep 14, 2018
Rafiki (2018) Jason Bailey Wanuri Kahiu's Rafiki, based on the short story "Jambula Tree" by Monica Arac de Nyeko, is a vibrant, pulsing piece of work, keying off the joy of young love and unexpected discovery. EDIT
Posted Sep 14, 2018
Colette (2018) Jason Bailey It's a frisky piece of work, asking challenging questions about monogamy and art, while reveling in the considerable charm of stars Keira Knightley and Dominic West. EDIT
Posted Sep 14, 2018
Todos lo saben (2018) Jason Bailey I was held rapt through its entirety. EDIT
Posted Sep 14, 2018
A Star Is Born (2018) Jason Bailey "All you gotta do is trust me," he tells her, and when he brings her out on stage, and then brings her up to the front microphone, it raises the same kind of gooseflesh as the "When Your Mind's Made Up" scene in Once. EDIT
Posted Sep 14, 2018
Teen Spirit (2018) Jason Bailey Fanning is engaging - I'm low-key annoyed that on top of everything else, she can also sing - but the scene stealer here is Zlatko Buric, as the drunken fan who becomes her (surprisingly effective) manager. EDIT
Posted Sep 14, 2018
Destroyer (2018) Jason Bailey Kusama moves her star, and her camera, through these silky L.A. nightscapes in a style reminiscent of Michael Mann. If that doesn't sell you, I don't know what will. EDIT
Posted Sep 14, 2018
American Dharma (2018) Jason Bailey [Morris] occasionally pushes back against Bannon, in a way he didn't in the earlier films, and sort of has to - if Dharma suffers in comparison, it's because it's telling a story that's still in progress. EDIT
Posted Sep 14, 2018
Meeting Gorbachev (2018) Jason Bailey It's a compelling piece of portraiture, clearly done from a place of admiration and respect. EDIT
Posted Sep 14, 2018
The Sisters Brothers (2018) Jason Bailey Darkly funny and often deeply disorienting, with a marvel of an ending. EDIT
Posted Sep 14, 2018
The Old Man & the Gun (2018) Jason Bailey It's a gentle, funny crowd-pleaser with a melancholy streak. EDIT
Posted Sep 14, 2018
First Man (2018) Jason Bailey It's all about perspective... less concerned with history of that mission's impact than with what it was like to be him... Ryan Gosling leans into that squareness, daring us to peer in to his up-tight close-ups and find the guy inside. EDIT
Posted Sep 14, 2018
Support the Girls (2018) Jason Bailey It's so energetically acted and casually funny, you might not even notice that it never quite comes together. EDIT
Posted Aug 10, 2018
Crime + Punishment (2018) Jason Bailey Shines a much-needed light on the kind of policing that could actually make a difference in these communities. EDIT
Posted Aug 10, 2018
We the Animals (2018) Jason Bailey Zagar has an eye for simple yet loaded compositions, crafting potent imagery that tells us what his characters are afraid to say aloud, and his actors turn in unaffected yet unforgettable performances. EDIT
Posted Aug 10, 2018
Minding the Gap (2018) Jason Bailey Powerful and sensitive, and, at its best, utterly heart-wrenching. EDIT
Posted Aug 10, 2018
A Prayer Before Dawn (2017) Jason Bailey Cole is astonishingly good as Moore, in a primarily non-verbal performance; he's a convincing brawler, and even more persuasive as a self-destructive addict. EDIT
Posted Aug 10, 2018
Skate Kitchen (2018) Jason Bailey [Director Crystal Moselle] hangs out with, and eavesdrops on, her protagonists with a documentarian's eye for detail... Her intimate style deftly captures the end-of-the-world intensity of teenage relationships EDIT
Posted Aug 10, 2018
Madeline's Madeline (2018) Jason Bailey It's a visceral experience... Some viewers may find it too nerve-jangling, and it's hard to blame them. But it's a must-see for risk-takers. EDIT
Posted Aug 10, 2018
BlacKkKlansman (2018) Jason Bailey Lee's wild tonal shifts made his work seem scattershot and unfocused, and it's not that he tamps that down here. But now, the itchiness, gallows humor, and howls of rage just feel like everyday life. Reality has finally become a Spike Lee joint. EDIT
Posted Aug 10, 2018
The Miseducation of Cameron Post (2018) Jason Bailey Akhavan's movie is so many things at once - wise, witty, moving, sexy - that its occasional fumbles in tone and characterization barely register. EDIT
Posted Aug 10, 2018
Mission: Impossible -- Fallout (2018) Jason Bailey The sixth film in the surprisingly venerable series is a bit more deliberate, but delivers the expected jolts and thrills. EDIT
Posted Aug 1, 2018
Gotti (2018) Jason Bailey A comically terrible imitation of a biopic, directed by Kevin Connolly with all the flair and nuance of a movie-within-a-movie on 'Entourage.' EDIT
Posted Jul 2, 2018
Ocean's 8 (2018) Jason Bailey The cast shines, but they can only do so much with their weak script and listless direction. EDIT
Posted Jun 18, 2018
I Feel Pretty (2018) Jason Bailey Is this stuff supposed to be funny? These scenes are cut and shot like they're jam-packed with laughs, but our audience was so quiet and uncomfortable, you'd think we were at a rep screening of 'Shoah.' EDIT
Posted May 6, 2018
The Party's Just Beginning (2018) Jason Bailey There's a real power to the filmmaking here; Gillan is, clearly, a force to be reckoned with. EDIT
Posted May 2, 2018
Diane (2018) Jason Bailey Mary Kay Place is marvelous in the leading role, and her screen presence is so arm and comforting, we think we know her. Jones uses that familiarity, brilliantly. EDIT
Posted May 2, 2018
Nico, 1988 (2017) Jason Bailey Nico, 1988 is as wary and lived-in as its subject. EDIT
Posted May 2, 2018
Mapplethorpe (2018) Jason Bailey Matt Smith and Marianne Rendónare convincing as Mapplethorpe and Smith, but their efforts aside, what a waste. EDIT
Posted May 2, 2018
In a Relationship (2018) Jason Bailey The formidable charm of Emma Roberts (and supporting player Greta Lee) is wasted in this strained romantic comedy/drama from writer/director Sam Boyd. EDIT
Posted May 2, 2018
Seven Stages to Achieve Eternal Bliss by Passing Through the Gateway Chosen by the Holy Storsh (2018) Jason Bailey But more often than not, Seven Stages simply fails to navigate the turn from freaky to funny. EDIT
Posted May 2, 2018
Stockholm (2018) Jason Bailey Budreaunever quite finds an ending, but the vibe he grooves in along the way (much of it provided by the less-remembered, early-'70s Dylan on the soundtrack) is just right. EDIT
Posted May 2, 2018
Little Woods (2018) Jason Bailey DaCosta directs in a modest, slice-of-life style, which only heightens the tension of events on screen - this is the kind of movie you lean forward to hear, and before you know it, you're overwhelmed. EDIT
Posted May 2, 2018
The Seagull (2018) Jason Bailey As a showcase for this otherwise ace cast, [The Seagull] can't be beat. EDIT
Posted May 2, 2018
American Animals (2018) Jason Bailey It becomes, surprisingly enough, a stealth act of media critique. EDIT
Posted Mar 28, 2018
6 Balloons (2018) Jason Bailey There is a sense that the picture ends just as it gets going. But it's a movie that understands co-dependency from the inside, as well as the helplessness and hopelessness of trying to cure someone else's addiction. EDIT
Posted Mar 28, 2018
Annihilation (2018) Jason Bailey This sci-fi/horror hybrid is brainy, challenging, and experimental. Those shouldn't be dirty words. EDIT
Posted Mar 9, 2018
The Sweet Hereafter (1997) Jason Bailey That's the true power of Egoyan's film - how in shuffling the chronological deck, we see what once was in this town, both in its light and its darkness, and how none of it will ever be the same, no matter what Mitchell Stevens says. EDIT
Posted Dec 14, 2017